Articles tagged with Girls

I’m not as young as I used to be

Girls know that love is an astronaut
Girls‘ first garnered attention with their single “Lust for Life,” which, despite the title, wasn’t an Iggy Pop cover. Now, the band has released a new track called “Heartbreaker,” which isn’t a Led Zeppelin cover. Instead, it’s countrified rocker, with phasing guitars and singer Christopher Owen’s usual lovelorn moping.

Despite some excellent past singles, I’ve never been entirely convinced that Girls are worth the hype. This new tune is a good one (I especially like the heartbroken lyrics), but it still doesn’t quite make me a believer.

Go to Exclaim! to read my article about the upcoming EP Broken Heart Club.

MP3: “Heartbreaker”
 
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Occasional greatness from Girls

Girls - Album
In the lead up to Girls‘ debut, Album, the San Francisco group released two singles: the rollicking non-Iggy cover “Lust for Life” and the woozy epic “Hellhole Ratrace.” Both songs were absolutely gorgeous, matching blissful pop oblivion with poignant lyrics and singer Christopher Owens’ wounded, gulping vocals. With such a precedent, it was almost inevitable that the full-length will disappoint.

mp3: “Hellhole Ratrace”

To be sure, the two already-released singles are the best two tracks on the album. Elsewhere, Girls’ retro rock style has a tendency to stray a little too close to pastiche. “Big Bad Mean Mother Fucker” is a rockabilly send-up with a “Johnny B. Goode”-style guitar break and a refrain that contains the lyric “I’m gonna rock like no one ever told me to stop.” “Headache” and “Lauren Marie” are both vaguely tropical crooners, and they are a little too drippy to be taken seriously.

Despite its flaws, Album still has several worthy tracks that make it an enjoyable, if inconsistent, listen. “Laura” is a bouncy rocker, and its impassioned plea of “Reach out and touch me, I’m right here / And I don’t wanna fight anymore” captures an adolescent romanticism that Rivers Cuomo has spent the past decade trying to recreate. Halfway into the pattering “Summertime,” a huge whooshing guitar enters and nearly engulfs the track—it’s barely even recognizable as a guitar, sounding almost like crashing cymbals or just a synthesizer, and it makes for a moment of brilliant shoegaze dreaminess. “Morning Light” is another shoegaze throwback that’s a little more traditional in its approach—it just cranks the distortion up all the way—but is just as effective.

As the shoegaze-influenced tracks show, Girls have the talent to take on a variety on styles—it’s only when they descend into parody that they trip up. Album may not be stunning from front to back, but its highlights show that a masterpiece may be in the group’s future.

Album is out now via True Panther.
 
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A retro look for modern ideas

Girls - Lust for Life
Remember when Black Mountain released that song “No Satisfaction” a few years ago? You went in expecting to hear a crappy, overplayed cover, and then discovered that it was actually an original—and a pretty good one at that.

Girls just released a new video for their tune “Lust for Life” and, as you’ve probably guessed from my preamble, it’s not an Iggy Pop cover. Its melody is sweet enough to be a (pre-Pet Sounds) Beach Boys song, although the lo-fi jangle, out-of-key melodica and slurred vocals make it sound closer to ’80s college rock. But it’s the lyrics that are the main draw here, making a heartbroken plea for life’s simple pleasures, including “a pizza and a bottle of wine.” An all-male band called Girls singing about wanting a boyfriend? How modern.

As for the video, it’s the typical shaky Super 8 clip you’d expect from a DIY retro rock band. Pretty stuff. It comes courtesy of Pitchfork.



This is actually the second video the band has released for the same song. Last year, they released the simple but weirdly compelling clip below.



“Lust for Life” appears on Album, due out September 22 via True Panther Sounds.
 
Posted in Videos Tagged 1 Comment

Good luck trying to find this band on Google

true-013
When I wrote about Girls‘ performance at the Biltmore a few days ago, I mentioned that their best song was the singalong epic “Hellhole Ratrace.” The song is the first single from their upcoming debut album, the simply-titled Album, and the group recently shot a video for the tune. At seven minutes long, it’s not your typical radio single, but the song’s cinematic quality makes it perfect video fodder.

The clip depicts a dusk-till-dawn party, taking Girls and a group of friends around their hometown of San Francisco. Nothing much really happens—the action high point is when they steal a candy bar from a corner store. But the video uses some of the oldest tricks in the book—slow motion, lingering close-ups, lens flares—to great nostalgic effect. The video’s depiction of youthful abandon is the perfect accompaniment to the song’s seemingly endless refrain, “I don’t wanna die / Without shaking up a leg or two / Yeah, I wanna do some dancing too / So come, come on, come on, come on and dance with me.”

Beginning with sparse acoustic strumming and subtle atmospherics, the arrangement explodes about halfway through; fuzzy dream pop guitars take over, bringing the song to a blissful climax that’s sustained for over three minutes. Meanwhile, the video shows the band climbing up to a lookout over the city to watch the sunrise.

It’s a nice clip for a great song, so be sure to give it a watch (so long as you have a high tolerance for dude-on-dude kissing).



Album is due out September 22 via True Panther. The label will also release a 10″ single of “Hellhole Ratrace” on August 18. An mp3 download of the track is available below.

mp3: “Hellhole Ratrace”
 
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The Pains of Being Pure at Heart @ the Biltmore Cabaret, 7/24/09

pains of being pure at heart
Five minutes before the Pains of Being Pure at Heart were due to go on stage, I walked past the merch table and saw singer Kip Berman passed out cold on the couch. I guess that might explain why the Brooklyn four-piece got off to a slightly slow start during last night’s show at the Biltmore. Opening with a new song (I had never heard it before, at least) the group was a little sloppy, Berman’s eyes staring blanky across the crowd. Next, they stumbled through “This Love Is Fucking Right!,” its chorus marred by off-key vocal harmonies.

Thankfully, the band found its legs with a searing version of the single “Young Adult Friction.” Unlike the sunny jangle of the studio version, the song was a blast of white hot distortion, its guitars soaked in shoegaze fuzz. The group had a second guitarist in tow, meaning that the band’s sound was even more muscular than usual. An amped-up take on “The Tenure Itch” incited a mosh pit near the front of the stage, and one fan attempted to crowd surf but wiped out badly.

The band debuted a new song, “Higher Than the Stars,” the title track of its upcoming EP. With dreamy synth pads and a blissful pop chorus, the song sounded a bit like a long lost anthem from an ’80s teen movie.

Unfortunately, drummer Kurt Feldman broke his snare drum, and since no one had a replacement, the set was cut short. During the final song, “A Teenager in Love,” the snare sounded like Feldman was hitting a torn piece of a loose leaf paper. Nevertheless, the group still managed to play most of its self-titled album, plus a handful of B-sides. The show was unlikely to convert any skeptics, but for fans of the album, it was an excellent showcase of the band’s songwriting chops.

The evening was opened by Girls, a San Francisco four-piece that, like Women, is entirely made up of men. Still, it was easy to see where the group got its name, since both of the guitarists had long, flowing locks of blond hair. Most of the group’s songs sounded like ’50s doo wop played with the dreamy jangle of I.R.S.-era R.E.M. Girls sounded best when they stretched into more ambitious territory, as on the epic singalong “Hellhole Ratrace.” The group’s first full-length is due out in September, and, based on last night’s performance, it could be one of the breakthrough albums of the fall.
 
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