Japandroids got all of the glory, but there were lots of great albums released this year in Vancouver. And although only three managed to make the top ten cut, there are plenty of other amazing releases that were highlights of the last twelve months (Prairie Cat, Lightning Dust, Dan Mangan, the Zolas, etc.).
10. The Flaming Lips – EmbryonicSprawling chaos, with distorted drums competing for space with barbed guitars and spiky keyboards. The album could have fit onto a single CD, but by spreading it over two, the Flaming Lips show that there’s a method to the mayhem.
9. Atlas Sound – Logos
Logos has all of Bradford Cox’s usual tricks: swirling guitar fuzz, looping synth ambience and echoed, alien vocals. But this time around, there’s enough straightforward songwriting to remind us that, behind the atmospherics, he’s just another dude with a guitar.
8. Matt & Kim – Grand
As well as referring to a street in Manhattan, the title acknowledges the album’s lush production and weighty arrangements. Of course, with Matt & Kim, such terms are all relative, since they still sound like a couple of kids thrashing away in their living room.
7. Pink Mountaintops – Outside Love
Stephen McBean has a reputation as Vancouver’s preeminent Sabbath-loving riffmonger, but Outside Love favours acoustic guitars and baroque strings over bombastic hard rock workouts. It turns out that he’s just as good at chamber folk as he is at ’70s rock.
6. Hastings Sunrise – Hastings Sunrise
A 27-minute sugar rush that sounds like it was written on the spot, without rehearsals or second takes. In the case of Apollo Ghosts, that’s a compliment. Slapdash brilliance and buoyant energy made this one of the most instantly likeable albums of the year.
5. Little Girls – Concepts
In a year of reverb-heavy, lo-fi fuzz pop, Concepts is the grimiest of the lot. Distortion reduces the vocals to a distant, robotic moan while guitars crash against tinny drum loops. And yet, the whole mess sounds completely beautiful.
4. Animal Collective – Merriweather Post Pavilion
Once a cult band enjoyed almost exclusively by bloggers and record store employees, Merriweather turned Animal Collective into the everyman’s indie band. And it’s not hard to see why, with its plentiful hooks and universal themes of love and domesticity.
3. Said the Whale – Islands Disappear
A boat whirs as Islands Disappear kicks off with a gentle tour ballad followed by a rocker with shouted group vocals. Half an hour later, it’s bookended with more group vocals and another tour ballad. The year’s most symmetrical album then ends with the whirring of a boat.
2. Hollerado – Record in a Bag
Now we can all stop complaining about how Weezer has gone to shit, since Hollerado has taken up the power pop torch, delivering timeless hooks with party rock gusto. The bad news is that, if the comparison holds, Hollerado is going to suck in fifteen years.
1. The Pains of Being Pure at Heart – The Pains of Being Pure at Heart
The grit of the Jesus and Mary Chain. The big-hearted wit of Belle & Sebastian. The soporific sheen of My Bloody Valentine. And the pop quirks of a legion of obscure cult icons (the Pastels, Rocketship, etc.). With songwriting this good, no style ever sounds played out.

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