Articles posted in February 2010

Comin’ in dead last

The gravel section of the Trans-Canada Highway
I never used to consider myself Canadian. I mean, I was Canadian—I was born in Canada and have lived here all my life—but I never considered it a fundamental part of who I was. I was incidentally Canadian. Or so I thought.

Then, in fall 2008, I spent several weeks living in England. I had planned to stay there for six months, but the economic downturn meant that I couldn’t find a job. After sleeping on my cousin’s couch for a few weeks and spending most of my time wandering around London, I checked into a hostel for a few days before traveling in Scotland and then heading home.

When I walked into my six-person dorm on the first day, all of my roommates were out. On the bunk below mine, however, there was a Tim Hortons coffee mug. My heart shot into my throat and my jaw dropped, and when the owner of the mug walked into the room a few minutes later, we immediately fell into fast and easy conversation. About dumb shit: the Tragically Hip, hockey, Toronto vs. Vancouver, etc. It was a superficial conversation, but one that nobody other than two Canadians could have.

Since then, I have remained cautiously skeptical about the ideology of patriotism, but never again will I be ignorant enough to deny that Canada is an essential part of who I am.

Will a non-Canadian really be able to appreciate Old Man Luedecke? A Nova Scotian songwriter, he recorded his latest disc, My Hands Are on Fire and Other Love Songs, in Vancouver, making it a true coast-to-coast album. And even though he’s playing banjo-driven bluegrass—a genre of music usually associated with the American South—there’s something so intrinsically Canadian about the song “The Rear Guard” that it feels as if were written into my DNA.

This blog post is beginning to sound a bit like it was written for an essay competition about what makes me a Canadian. Perhaps I’m being unnecessarily rhapsodical about this—it’s just folk music after all. Maybe it’s because Canada is currently playing the USA in the Olympic gold medal hockey game. Or maybe I’m just tired because the dudes who live upstairs woke me up at the crack ass of dawn blasting “We Will Rock You” and “Hells Bells.”

mp3: “The Rear Guard”
 
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Make my mark in the world

Someone get Jasmin a box to stand on
My first-ever interview was with Mother Mother for an article in the Skinny (the piece is no longer online). I spoke with singer Ryan Guldemond for 45 minutes for a concert preview that was maybe 400 words. Sorry for wasting your time, dude.

More recently (this week), I wrote an article about the band for the Tyee. It’s not an interview, but check it out if you’d like to witness me fellate the band with words. Because seriously, Mother Mother is fucking great.

“Body of Years” is one of the more straightforward songs in the group’s catalogue, with a Pixies-style bass groove and a hummable, uplifting melody. It ends in a pretty sweet guitar jam, but you should also seek out some of the group’s more boundary-pushing songs like “Hayloft” and “Verbatim.”

mp3: “Body of Years”
 
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A sole brother, an only child

The intervention would have worked better without the drinks
Born Ruffians are the best band to ever come out of Midland, Ontario. This is partly because they are the only band to ever come out of Midland, Ontario, but also because they are a good band.

Their second album, Say It, is due out on June 1 via Warp/Paper Bag. The first single is called “Sole Brother” (pun!), and it offers a pleasant if unspectacular preview of the disc. Frontman Luke Lalonde offers up some sweet guitar licks—check out the nifty riff that begins 53 seconds in—but unfortunately his bandmates never pick up the pace enough for the song to really take off.

Someone please put a techno beat behind this riff and turn it into a dancefloor jam.

mp3: “Sole Brother”
 
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The heart is a stone

I love Little Girls? Little Girls are awesome? There's really no good way to say it.
Confession: I don’t like Beach House. Sure, the songs are pretty, but nothing about it sticks with me or provokes any sort of emotion. Listening to Teen Dream, I feel nothing. I call it the Grizzly Bear Effect.

On the other hand, I love Little Girls. (Why do people always look at me funny when I say that?) The Toronto band began as the home recording project of multi-instrumentalist Josh McIntyre, and has since evolved into a four-piece touring lineup. McIntyre and former guitarist Andrew Wilson recently a recorded a version of the Teen Dream track “10 Mile Studio,” and McIntyre posted it to his blog.

I’m still not crazy about the tune itself—it is Beach House, after all. But it’s interesting to hear this cover because, unlike everything Little Girls have ever done before, it’s not completely fuzz-garbled. Despite the cavernous reverb, this sounds practically crystalline compared to last year’s Concepts.

Halfway through, the distortion kicks in—and, not coincidentally, the song immediately gets much better. Still, this is a unique chance to hear Little Girls try something a little different.

mp3: “10 Mile Stereo”
 
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Comfort or happy or money or fame

At the crossroads, waiting for Voldermort
Wikipedia has 23 listings for different songs that all share the name “Crazy.” As well as the still-ubquitous Gnarles Barkley song, other notable artists to pen tracks called “Crazy” are Snoop Dogg, Willie Nelson, Supertramp and Kevin Federline, who totally stole the idea from Britney Spears. Does the world really need another song with the same title?

Apparently yes, since “Crazy” is the latest single by Vancouver garage blues duo the Pack a.d. It’s a solid entry in the “Crazy” canon, featuring a chugging fuzz rock groove straight out of “The Hardest Button to Button.” With singer Becky Black’s echoed vocals and falsetto leaps, it’s one of the group’s more melodic tunes. It starts out relatively tame but gets, uh, crazier as it goes on, with a sprinkling of cowbell and a whole lot of yelling.

It comes from the album we kill computers, due out April 27 via Mint.

Incidentally, these ladies fucking slay live. I reviewed them for Guttersnipe back in the fall when they stole the show from headliners Pink Mountaintops.

mp3: “Crazy”
 
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Save the best for later

I think that's Riley Park Community Centre. I used to skate there.
The New PornographersTogether is a make-or-break album for the band. After three discs of brilliance, the outfit’s most recent release, 2007’s Challengers, was a hit-and-miss affair. Then, last year, frontman A.C. Newman released the disappointingly pedestrian Get Guilty, which was weighed down by unremarkable acoustic ballads.

Thankfully, “Your Hands (Together)” gets back to the business of rocking, with bombastic loud/quiet verses and an urgent call to “put your hands together.” As usual with Newman’s lyrics, it’s tough to know what the hell he’s singing about; the chorus includes a line about a “silver bullet,” so I’m going to guess it’s either about werewolves or Coors Light.

Then again, it’s catchy and upbeat, so who really cares what it’s about. With its triumphant harmonies and thundering drums, this is what makes the New Pornographers great. Best of all, the bridge gives Neko a chance to take the lead on an upbeat song. (Anyone else notice that she had been relegated to the ballads on the past couple of albums?) We’ll find out whether the rest of the album lives up to the single on May 4.

mp3: “Your Hands (Together)”
 
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Till you’re red in the cheeks

Power pop band or midget wrestling troupe?
About a year ago, I applied to work in the Vancouver Public Library, thinking I might pursue a post-graduate degree in librarianship. Those fuckers never called me back.

Luckily, the Regina power pop band Library Voices called me back when I interviewed guitarist Michael Dawson about the band’s upcoming full-length, Denim on Denim. Head over to Exclaim! to read the article.

The album’s first single is the peppy, soul-infused “Drinking Games,” which is notable for its detail-rich lyrics as well as its awesome, fist-pumping buildups. “Saturday night” indeed.

mp3: “Drinking Games”
 
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Caught in the spokes

Extreme Close-Up! WAAAGGGHHH!!!
Printed on the back of Aidan Knight’s debut album, Versicolour, is the following message:

Made in Canada. All unauthorized duplication of this recording is pretty sweet. In fact, we encourage the use of mixtapes and sharing of music online. If you enjoy this music in any way, please enquire at www.aidanknight.com for show dates, etc!

Awesome. In the spirit of unauthorized duplication, here’s the album’s haunting opening track, “The Sun.” Piano arpeggios, acoustic and electronic percussion, angelic harmonies and a sublime orchestral climax. Glorious.

I reviewed Versicolour in this week’s Georgia Straight. The album is due out March 2.

mp3: “The Sun”
 
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The best dreams are the wet dreams

If you can free your mind, the body will follow
Normally, I think it’s really tedious when a person tries to describe the dream he or she had the night before. That’s exactly what I’m going to do now, however, because last night I had my first-ever lucid dream.

Walking down a dusty street, it suddenly occurred to me that I was dreaming. Thinking I was going to wake up at any second, I stated screaming and making lewd gestures at passers-by. When I didn’t wake up, I floated a bit and flew around the block.

Knowing that I would wake up soon, I went looking for adventure and ran into the nearest building. I went into the women’s washroom, because apparently that’s where my dreaming self thinks the party is. In the bathroom, I met three older women with their young sons (Freud?!?). I knew I was dreaming, but it didn’t occur to me to change them into something better. Like three hotter women without sons, perhaps. I decided to fly from a nearby balcony, but my powers of lucidity were wearing off, and I fell.

All in all, it was a bit when Neo first learns that the Matrix isn’t real. Even though he knows he can control everything, it’s still hard for him to break the rules his mind is used to operating by. There is no spoon!

Here’s an appropriately dream-related track by Cleveland DJ Self Help. It’s called “Dreammore,” and it mashes up the Cranberries‘ “Dreams” with Trick Daddy’s “Sugar (Gimme Some).” It’s catchy stuff, kind of like You’ve Got Mail with an urban flavour.

mp3: “Dreammore”
 
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Come prepared with some thick skin

Don't just lie there, prove me right!
Lester Bangs once wrote a how-to on becoming a rock critic, and he offered the following piece of advice: to pick an obscure artist and then “build ‘em up real big, they’re your babies, only you alone can perceive their true greatness, so you gotta go around telling everybody that they’re better than the Rolling Stones, they beat the Beatles black and blue, they murtelyze the Dead, they’re the most significant and profound musical force in the world. And someday their true greatness will be recognized and you will be vindicated as a seer far ahead of your time.”

Hannah Georgas is that for me. When I first stumbled upon her in concert back in November 2008, I became instantly convinced she was going to become the Hugest Thing Ever. Next Feist? Fuck that. I told anyone who would listen that Feist was going to be the old Hannah.

Hopefully my vindication is just around the corner. She’s going to be releasing her first full-length in April and, journalistic hyperbole aside, it’s pretty sweet. The album is called This Is Good, and the first video is the chamber folk creep-out “Thick Skin.”

Download the tune below and head over to Exclaim! to read my recent interview with Hannah. And be sure to peep the song’s video, featuring the songstress crawling around wearing nothing but her, uh, thick skin.

mp3: “Thick Skin”
 
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